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Every major Korean director, from Park Chan-Wook (Old Boy) to Na Hong-Jin (The Yellow Sea), started out making short films. A few years ago, eleven of Korea’s biggest directors established the Mise en Scene Short Film Festival (aka, the MSFF), dedicated to romance, horror, action, social commentary and comedy shorts. It’s a science lab where new Korean filmmakers can experiment and also a talent pool where established directors can snag undiscovered geniuses.
